Myth is a genre of folklore or theology consisting primarily of narratives that play a fundamental role in a society, such as foundational tales or origin myths. For scholars, this is very different from the vernacular usage of the term "myth" that simply refers to something that is not true. Instead, the truth value of a myth is not a defining criterion.
Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be true accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Other myths explain how a society's customs, institutions, and taboos were established and sanctified. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
In Greek mythology, a satyr (Greek: σάτυρος, translit.sátyros, pronounced[sátyros]), also known as a silenus or silenos (Greek: σειληνός, translit.seilēnós[seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.
In classical Athens, satyrs made up the chorus in a genre of play known as a "satyr play", which was a parody of tragedy and known for its bawdy and obscene humor. The only complete surviving play of this genre is Cyclops by Euripides, although a significant portion of Sophocles's Ichneutae has also survived. In mythology, the satyr Marsyas is said to have challenged the god Apollo to a musical contest and been flayed alive for his hubris. Although superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr Silenus was the tutor of the young Dionysus and a story from Ionia told of a silenos who gave sound advice when captured. (Full article...)
... that the self-decapitated HindugoddessChhinnamasta(pictured) standing on a copulating couple signifies that life, death and sex are interdependent?
... that in Mesoamerican folklore, it is believed that a dog (mythical dog pictured) carries the newly deceased across a body of water into the afterlife?
The stoor worm, or Mester Stoor Worm, was a gigantic evil sea serpent of Orcadian folklore, capable of contaminating plants and destroying animals and humans with its putrid breath. It is probably an Orkney variant of the Norse Jörmungandr, also known as the Midgard Serpent, or world serpent, and has been described as a sea dragon.
The king of one country threatened by the beast's arrival was advised to offer it a weekly sacrifice of seven virgins. In desperation, the king eventually issued a proclamation offering his kingdom, his daughter's hand in marriage, and a magic sword to anyone who could destroy the monster. Assipattle, the youngest son of a local farmer, defeated the creature; as it died its teeth fell out to become the islands of Orkney, Shetland and the Faroes, and its body became Iceland. (Full article...)
Image 3Opening lines of one of the Mabinogi myths from the Red Book of Hergest (written pre-13c, incorporating pre-Roman myths of Celtic gods): Gereint vab Erbin. Arthur a deuodes dala llys yg Caerllion ar Wysc... (Geraint the son of Erbin. Arthur was accustomed to hold his Court at Caerlleon upon Usk...) (from Myth)
Image 15The Stone of Destiny (Lia Fáil) at the Hill of Tara, once used as a coronation stone for the High Kings of Ireland (from List of mythological objects)
Image 23Lord Vishnu took the form of Beauty Mohini and distributed the Amrita (Ambrosia, Elixir) to Devas. When Rahu (snake dragon) tried to steal the Amrita, his head was cut off (from List of mythological objects)
Image 24 Odysseus Overcome by Demodocus' Song, by Francesco Hayez, 1813–1815 (from Myth)
Image 31Sampo, a magical artifact of indeterminate type constructed by Ilmarinen that brought riches and good fortune to its holder, in the Finnish epic poetryKalevala (The Forging of the Sampo, Joseph Alanen, 1911) (from List of mythological objects)
Image 50The Deluge, frontispiece to Gustave Doré's illustrated edition of the Bible. Based on the story of Noah's Ark, this engraving shows humans and a tiger doomed by the flood futilely attempting to save their children and cubs. (from Comparative mythology)
Image 51This panel by Bartolomeo di Giovanni relates the second half of the Metamorphoses. In the upper left, Jupiter emerges from clouds to order Mercury to rescue Io. (from Myth)
Image 52Several mythical creatures from Bilderbuch für Kinder (lit.'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch (from Legendary creature)
Image 57Amenonuhoko (天沼矛 or 天之瓊矛 or 天瓊戈, "heavenly jeweled spear") is the name given to the spear in Shinto used to raise the primordial land-mass, Onogoro-shima, from the sea (from List of mythological objects)
Image 71As is usual in bestiaries, the lynx in this late 13th-century English manuscript is shown urinating, the urine turning to the mythical stone Lyngurium (from List of mythological objects)