Portal:Visual arts
Introduction
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.
Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)
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The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller flanking panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th-century inventory in Milan, and has been in the National Gallery, London, since its purchase on the Gallery's behalf by Charles Lock Eastlake in 1861.
The painting is an austere but affecting portrayal of sorrow and grief. It shows four female and three male mourners grieving over the body of Christ. They are, from left to right, Nicodemus, Mary Salome, Mary of Clopas, Mary, the mother of Jesus, John the Evangelist, Mary Magdalene and Joseph of Arimathea. (Full article...)Selected picture
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“ | Drawing is like making an expressive gesture with the advantage of permanence. | ” |
— Henri Matisse, unknown |
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Selected biography
John Thirtle (baptised 22 June 1777 – 30 September 1839) was an English watercolour artist and frame-maker. Born in Norwich, where he lived for most of his life, he was a leading member of the Norwich School of painters.
Much of Thirtle's life is undocumented. After working as an apprentice to a London frame-maker, he returned to Norwich to establish his own frame-making business. During his career he also worked as a drawing-master, a printseller and a looking glass maker. He produced frames for paintings by several members of the Norwich School, including John Crome and John Sell Cotman. Throughout his working life he continued to paint. In 1812 he married Elizabeth Miles, the sister of Cotman's wife Ann. Thirtle suffered from tuberculosis during the last two decades of his life, and his worsening health reduced his artistic output up to his death in 1839. His Manuscript Treatise on Watercolour, unpublished before 1977, was probably for his own use, and he exhibited fewer than 100 paintings. A member of the Norwich Society of Artists, he briefly served as its vice-president, but in 1816 was one of the artists who seceded from the Society to form a separate association, the Norfolk and Norwich Society of Artists, which dissolved after three years. (Full article...)Did you know (auto generated) -
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